Performance Mode is a fantastic feature that was recently added to DaVinci Resolve. Step 3: Next to “ Proxy Generation Location ,” there is a path to the folder that stores the proxy files for this project. 4. It’s a family of six quality standards, from the space-saving 'ProRes 422 Proxy' right up to the ultra-high-quality 'ProRes 4444 XQ'. This preset is intended for 4K footage such as the video used in this project. If you create proxies in a too low resolution, there can be issues with color grading ; ConclusionBonjour à tous, J'ai un gros problème et j'espere que quelqu'un pourra m'aider. Most recent mobile phones can film in 4k as well. The following formats are either legitimate proxy formats or file formats that can be used as proxies: Quicktime (R3D) - Proxies used in Red Cameras; a Quicktime (MOV) file with an . Try the LT. I use LT for exports even for broadcast and feature documentary work. Going down to 960x540 is probably in the 12-36Mbps range depending on the frame rate. 264 as a proxy choice and defines the compressed frame sizes: Low resolution: 1024 x 540 — 25% of 4K, 26. 264. ProRes 422 Proxy. All having to do with maintaining 8 separate mono tracks. On Premiere Pro 14. All ProRes proxy clips need TapeID’s attached to them that will remain consistent throughout. On Premiere Pro 14. Application: ProRes 4444 XQ & 4444:. 4. ProRes 422 LT. He did throw a LUT on the footage to get it looking okay. It intelligently analyzes your computer’s hardware configuration and automatically adjusts Resolve’s image processing under the hood. It provides roughly 30 percent of the data rate of Apple ProRes 422 for efficient editing and low storage costs. Its also not too big in file size. ProRes vs H. Is this normal? I swear, when I was editing last year, it took about 3–4 hours for the same kind of video. You should notice a significant performance increase in the computer processing by using Proxies. Alpha. Apple ProRes 422 Proxy: An even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but full-resolution video. For best results, we recommend 10bit HEVC (H. But, first I will recommend you choose Low. Now that Adobe is making ProRes 422 LT the default, Adobe should make a video talking about "smart rendering", which alot of people do not know exists. . H. UHD is Rec. allocated 28 gb of ram to premiere and all. 264? The hard truth is that H. Apple ProRes 422 Proxy: 45Mbps: 4:4:4: Uncompressed 4:4:4 video: 2237Mbps: 4:4:4: Apple ProRes 4444 XQ: 500Mbps: 4:4:4: Apple ProRes 4444: 330MbpsSpecifically I used the "ProRes Low Resolution Proxy" option within the ingest settings of Premiere. 4444. Resolution of ProRes Low/Medium/High Resolution Proxies. 264 but rather prores of cineform. ago Damn I didn't image that Cineform could be that much larger! I'm definitely going with ProRes then, thank you for your comment. Full resolution frames should always be used for final reviews and color correct final grades, but that would be performed on speciality hardware/software such as a Mistika suite or a Nucoda Filmmaster attached to a high performance SAN. When ProRes Proxy is enabled, the ProRes menus are enabled. I do not recommend using h. New low resolution files are called Proxies. With RAW kind of footages, such as Blackmagic RAW, RED R3DRAW, Prores RAW, ARRI RAW, Canon RAW,. To fix it, do this: Right click on the video -> Modify -> Interpret Footage Assume this frame rate: (Enter the correct frame rate here) You'll have to fix your sequence fps too. 264 to download, but if your drives are fast enough it'll be a much better. Know Your Formats. Even if going with proxies, a 20TB Seagate standard drive can sustain a read speed of 285 MB/s until it gets really full. One of the "features" of ProRes is that it is "virtually lossless" (higher bit rate versions, of course, would be better. No other adjustments affect file size. Toggle on the switch for "Apple ProRes. In the dialogue box, set your custom options and hit OK. On low-end devices, choosing a low-resolution and low-quality file type. What is the resolution and bitrate of low, medium and high resolution? Reconnect Full Resolution Media launches the Reconnect Full Resolution Media dialog box, which is identical to the Attach Proxies dialog, except that it attaches Full Res clips. Change the format to Quicktime, Video Codec to ProRes 422 (Proxy) Confirm the resolution/framerate is correct or click Match Source. This ffmpeg command: ffmpeg -i input. 264 isn't the right tool for multicam and your expectations for low bitrates are out of line. I've been reading Neil's posts for several years, and I've not known him to be sarcastic, neither do I see sarcasm in this thread. As a bonus it can put a nice look on SLog2 edit proxies using LUT from F65 forum or ACES. ago. 3 GB, and I transcoded them to ProRes 422 LT; - 13165271 Adobe Community All community This category This board Knowledge base Users cancelProRes is a codec technology developed by Apple for high-quality, high-performance editing in Final Cut Pro. I decided to keep it next ot the original media inside of a folder. A few misconceptions there. Apple ProRes 422 Proxy. 97 fps. The Cineform proxies are actually smaller than the 4K - UHD footage. It is also full 422. Edit these proxy clips in NLE, and output XML to SCRATCH v8. 264 presets. But. 264 Low Resolution Proxy then Preview I-Frame Only MPEG? If I choose the Prores Low Resolution Proxy, what preview should I choose? Extra question: is it a good idea to first transcode the mp4 to Prores 422 and then make a Prores Low Resolution Proxy from that (takes 6x more space) or to make a Prores Low Resolution Proxy. There are a total of six ProRes formats. avi -c:v prores -profile:v 3 -c:a pcm_s16le output. The H. 9 and later versions, we can now choose proxy files that are 1/2, 1/4 and 1/8 the resolution of the master file using either H. Apple ProRes 422 (Proxy) ProRes 422 Proxy is more compressed than ProRes 422 LT with about 30 percent of data rate. In the preset selection, browse for the new ingest preset created. 使用PR建立Proxy代理剪辑4K影片与ME输出代理共计6条视频，包括：1 理解什么是Proxy代理剪辑、2 代理剪辑-复制并创建代理方式、3 代理剪辑-AME预设与PR预设等，UP主更多精彩视频，请关注UP账号。. The target data rate is approximately 45 Mbps at 1920x1080 and 29. You’ll have options to choose the resolution and format of your proxy here. Apple ProRes 4444. If space is a big constraint for you, then the lowest resolution (low bit rate file) DNxHR LB should do the job for you. The lowest-bitrate variation of the ProRes codec, intended for use in editing software as a smaller version of larger files like ProRes HQ. Apple ProRes 422 Proxy is an even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but full-resolution video. It is designed to be used in high quality offline editing that needs low data rates but full-resolution video. 265) files that are 1920x1080 or larger. Step 1: Download and launch Filmic Pro. The options allow for users to choose what level of visual quality they want from the proxy, low, medium, or pretty much visually the same. Small file sizes. Next setup Editor so you. On Premiere Pro 14. Now that Adobe is making ProRes 422 LT the default, Adobe should make a video talking about "smart rendering", which alot of people do not know exists. I will recommend you to choose this option because this is Better for everyone who has a low-end pc. The human eye cares mainly about contrast and seldom notices low color resolution, but the greenscreen extraction process relies primarily on color values. Still delivers full-resolution video but is even more highly compressed with a. The codes was XAVC-L. Internal Recording. 97 fps. It seems that Premiere treats a transcoded proxy, created from the internal ingest section, as a non mult. 97 fps. 0, right clicking a video file in the bin and selecting "Make Proxy" now shows "ProRes Low/Medium/High Resolution" but no longer shows the resolution of each as in earlier versions of Premiere. On Premiere Pro 14. 4. How to create your own preset for proxies in Premiere Pro (advanced). What is the resolution and bitrate of low, medium and high resolution? Right-click and you will see a Proxy option. 0 pixel aspect that is in the file. Try the 'ProRes - Low Resolution' preset. Many users run with ProRes proxy as it does well enough visually and plays back great. Low quality, meant to be relinked to higher quality footage later on. Generating proxies in Resolve 18. (And in your case, better source material. 265, ProRes if you’re on a Mac and DNxHR. Because I want to use the highest quality proxy possible for my system in a particular editing situation. 8 (Mountain Lion) ouversion ultérieure. Then you need to choose the proxy resolution preset. Upvote. If you can, try creating Prores 422 Proxy files instead of Cineform. Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. ProRes 422 HQ. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. Apple ProRes 422 Proxy is an even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but full-resolution video. Premiere says that "Proxy Media and Full Resolution Media must have matching audio channels" . What is the resolution and bitrate of low, medium and high resolution? The “Proxy Handling” feature was introduced in the DaVinci Resolve 18 version. The footages are converted to Rec 720. Premiere says that "Proxy Media and Full Resolution Media must have matching audio channels" . The way I created the proxies is, right click on the clip -> proxy -> create proxy and then I select "quicktime" and ProRes Low resolution. Step 1: Download and launch Filmic Pro. Ich habe auch schon andere versucht, jedoch mit dem selben Problem. H. Making proxies in Premiere – in this case the ProRes Medium preset creates a 720p file with the ProRes 422 Proxy codec. Granted maybe editing H264 in that low of a. 89. Back in Premiere. Avid DNxHD 175x 10-bit. Oh well, time to re-proxy all my footage then lol. Your editors can do their job a bit faster. 4. It has a target data rate of 102 Mbps. You will want to create a preset using Media Encoder and select format as HEVC. Upvote Translate. (And in your case, better source material. The target data rate of Apple ProRes 422 Proxy is approximately 45 Mbps at 1920 x 1080 and 29. ProRes Proxy at 720p is 18-45Mbps based on 24-60fps. As with optimized media, using DNxHR SQ codec on a Windows client or ProRes 422 LT on a Mac is recommended. atomos. h. Proxy media resolution has no bearing on final render quality. The problem is that the proxy created by Premiere with the "Medium" setting, which is the lowest available, is still a quite heavy file at 10mbps. Even set the "Open in low resolution" option via get info from the Premiere App. Hit enter to search. Massive file. So I think the best choice for this is DNxHR, low Bandwidth, or a ProRes Proxy. Sony has by far my favorite option for in-camera proxy recording on the market at the time of publication. NOTE: Create Ingest Preset creates import presets for Adobe Premiere Pro CC. The target data rate of Apple ProRes 422 Proxy is approximately 45 Mbps at 1920 x 1080 and 29. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. The ProRes will be a lot easier to import and edit than H. Step 2: In the “ Master Settings ” tab, find the “ Working Folders ” section. Hello! Thank you for great new feature - proxies! The idea is very good. 264, which is smaller file size but as it's long-GOP it forces the CPU/RAM to work a LOT harder for every frame. I'm with Byron on this. And Proxy Media Format is the type of media it will generate. 形式「QuickTime」プリセット「ProRes Low Resolution Proxy」 ・MOVをmp4ファイルで変換して編集 ・プレビュー再生時の解像度：1/8 ・メディアキャッシュの削除 ＝＝＝ また、レンダリングを試そうとしましたが、重すぎてPCが固まってしまうためAuto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. A 1024px * 576px proxy at 6mbps, even in Rec 709, would be fine for me. Right off the initial footage in Premiere it is hard to find any big differences on this YouTube video. 2. If I select X. Thank you for your reply. 264? The hard truth is that H. The downsides ultimately are: a. 4. Could be some glitch in the orinal . 4. Note: Apple ProRes 4444 XQ and Apple ProRes 4444 are ideal for the exchange of motion graphics media because they are virtually. Oh yeah, working with your media on an external SSD drive may also help. 0, right clicking a video file in the bin and selecting "Make Proxy" now shows "ProRes Low/Medium/High Resolution" but no longer shows the resolution of each as in earlier versions of Premiere. After several attemtps creating different proxies with a reduced resolution, I circumvented the Adobe proxy method and just exported the same media using ProRes 422 Proxy and kept the resolution intact. This preset uses a frame size of 1024*540 (1. Editors might even suggest to transcode H. the other way to reduce file size is to reduce the pixel dimensions. Apple ProRes 422 Proxy's target data rate is approximately 45 Mbps. . ” H264 editing with ProRes Proxies. Now the difference between a proxy and an intermediate codec is that a proxy is just used for offline editing because it is small in size and fast (due to low. Upvote Translate. Both codec families can be wrapped inside MXF or MOV containers. I create Prores Proxy at 960p and clicked the proxy icon. The reason why "ProRes <<<<<<<<< Software Decoded HEVC" is because it involves far less compression and encodes individual frames completely in the footage - so, far fewer calculations to decode. It provides higher quality than ProRes 422 (Proxy) Target data rate: 102 Mbps at 1920*1080, 29. Fri Feb 19, 2021 4:36 pm. So. What is the resolution and bitrate of low, medium and high resolution?The best format is DNxHR (Windows) and Prores (Mac). Ich habe für die Proxy-Erstellung: "QuickTime - ProRes Low Resolution Proxy" ausgewählt. Here is a screen capture of the lag. ) Thing is, once you eliminate the interframe part of h. Report. What is the resolution and bitrate of low, medium and high resolution?We created proxies by right clicking on the clips in the project pane, Quicktime, ProRes low resolution proxy. Alternatively, consider switching to your Windows10 machine with an all ProRes422 LT workflow (skipping the Proxy Workflow). Check Transcode files to Destination; Format: select Quicktime; Preset: select Encode. If the codec has thrown away a large portion of the color. More Data Always Means Better Video Quality. -If you have a newer Mac, Resolve Lite can make nice edit proxies for you at any resolution short of 4K, for free. . DNxHD 220x/DNxHR HQX are 10-bit, whilst all others variants are 8-bit and DNxHD36 is a proxy codec. 264 codec is widely used in video delivery/distribution. 264 Low Resolution Proxy then Preview I-Frame Only MPEG? If I choose the Prores Low Resolution Proxy, what preview should I choose? Extra question: is it a good idea to first transcode the mp4 to Prores 422 and then make a Prores Low Resolution Proxy from that (takes 6x more space) or to make a Prores Low Resolution Proxy straight. We shot on Sony A7 III, the movie files are H264 (1080p). After the proxies are done, the "render bar" is still yellow regardless if the proxy toggle is on or off. We created proxies by right clicking on the clips in the project pane, Quicktime, ProRes low resolution proxy. Even the difference between XQ and Proxy isn’t that noticeable and they have huge differences. This page covers all properties specific to the Movie Recorder type. Nun dauert das erstellen dieses Proxys mehr als 5 Stunden. . It’s important to note that each ProRes format supports all of the current frame sizes such as SD, HD. 4. Step 3: Select ProRes as format and select the ProRes. I tried to make proxies of my 4K - 8375094What resolution are you encoding those proxies at? The bitrate you’re using isn’t far off ProRes Proxy (36-91mbps 1080p depending on frame-rate. The recommendation is to switch from H. In the create proxies window, select Quicktime under format. 264, H. ) the fact that you have to spend time transcoding and b. Apple ProRes 422 Proxy: An even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but Full HD video. So if you've got 6-8K clips, and set 1/4 res playback, makes it much easier on the CPU and subsystems to. Movie Recorder properties. . When you're done editing and want to Reconnect to the 4K media, uncheck the "Enable proxies" under the "Premiere Pro CC. Apple ProRes 422 Proxy: This is most compressed version of ProRes 422 and provides low data rates with full-resolution video. Avid DNxHD 175x 10-bit. Here’s an. Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but full-resolution video. Select "Record Video. Apple ProRes 422 Proxy: An even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but full‑resolution video. In the Preset Browser window, click the + button and select “Create Encoding Preset”. 264 proxies are a good solution since they are so small and most computers. 97 fps and "Create Proxy", then it will create a ProRes Low Resolution Proxy at 29. ProRes Proxy is just too low quality and should not be the default. Many users run with ProRes proxy as it does well enough visually and plays back great. Proxies are generated and attached. . You can enable the camera to record a ProRes proxy file along with the R3D file. The higher ProRes standards support video files with up to 8K resolution, though you’ll find lower limits with. I wonder if that has something to do with the bit depth ? maybe 8 bit is 4. Below are screenshots of Avid DNxHD 175x 10-bit produced by Adobe Media Encoder for a more fair comparison. Neil Right-click on a clip and select Proxy > Create Proxies; For Format, select Quicktime; For Preset, select ProRes Low Resolution Proxy; Check the Add Watermark box; Leave the destination as Next To Original Media, in prox folder; Press OK; Premiere will open media encoder and begin rendering proxies for all of your video clips. Click “ Browse ” to open the folder. 264, H. When you're ready to Color Correct, just toggle that off so you can live. In simple words, Apple ProRes codec is designed for post-production while H. If you choose a preset, let’s say 1024×540 Apple ProRes 422 (Proxy), you can look in the Summary section below for suggestions of compatible source frame sizes. 0, right clicking a video file in the bin and selecting "Make Proxy" now shows "ProRes Low/Medium/High Resolution" but no longer shows the resolution of each as in earlier versions of Premiere. ProRes is resolution independent which means it can accommodate. Votes. Looking at the media encoder output, I saw it - 8375094Do you really need to know? This is an estimate of the quality offered by each of the Proxys options and the truth is that speaking of Proxys I would say that any of those options will work for you because in the end you will have to exchange with the original files to export in high quality. The target data rate of Apple ProRes 422 Proxy is approximately 45 Mbps at 1920 x 1080 and 29. 265, ProRes if you’re on a Mac and DNxHR. Compared to the background and theoretical knowledge, you may. H. for use in post-production that supports video resolution up to 8K. Proxy (ProRes 422 Proxy) Camera native media can use a wide variety of codecs, though only one codec is allowed per media file. There are a plethora of free GUIs for ffmpeg for those unfamiliar with the command line. Step 1: Go to “ File ” and select “ Project Settings ”. 264 Low Resolution Proxy h. Use. DNxHR 444 and ProRes 4444 XQ are the only codecs that fully preserve the details needed in HDR- (high-dynamic-range) imagery. Using this approach takes advantage of the luminance resolution, which correlates to the sensor pixel count. At t. Change the format to Quicktime, Video Codec to ProRes 422 (Proxy) Confirm the resolution/framerate is correct or click Match Source; Create a new Ingest Preset, name it Ingest ProRes Proxy. . Going down to 960x540 is probably in the 12-36Mbps range depending on the frame rate. Thanks for the humongous help!!Alternatively, the difference between 4K h. a 4k file is going to be bigger than a 1080 file with the same bitrate and duration. 264, H. but I doubt you could tell much difference. Know Your Formats. 264 over to something like ProRes Proxy. The purpose of proxy is to make editing easier. There is an included preset for that format. This will produce a file that will play smoothly on just about. Report. Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but full-resolution video. With FCP X 10. When you connect proxies, that will automatically engage, and you'll notice a MASSIVE performance boost in Premiere. Jim_Simon • LEGEND , May 03, 2017. Winner: H. Try the LT. Not to quibble, but file size = bitrate x duration. We would like to show you a description here but the site won’t allow us. Use. Below are screenshots of Avid DNxHD 175x 10-bit produced by Adobe Media Encoder for a more fair comparison. . " Tap on "Camera" in the top-left corner to go to the previous menu. Proxy Workflow is a process where lower resolution files are used as substitutes during the editing process, making it easier for older computers to handle. 264 or H. You’ve got your usual codec options. Open Adobe Media Encoder and navigate to the preset browser in the lower left of the screen. The iMac Pro has a 3 GHz 10-Core Intel Xeon W CPU, Radeon Pro Vegas 8 GB GPU and 64 GB 2666 MHz DDR RAM. Reply. I went through my footage to create proxies using a - 13903553Basically, a low res h. But even though the Toggle Proxies button is enabled in the. VincibleAndy • 7 yr. Votes. But i found that later I cannot reconnect full resolution media. I leave frame rate the same, and only change the resolution and bitrate. 2K/30P and 4:2:2, 10-bit h. I hope the ProRes 422 LT as default sticks and comes to vanilla Premiere Pro tooResolve only does Automatic (where it depends on the source resolution and your working timeline/project resolution), 1/2, 1/4, 18/ or 1/16. I had the exact same issue last night. Record proxies in camera using built-in settings. If you are after smaller file sizes for your editing workflow sometimes low resolution h. 264. The target data rate is approximately 45 Mbps at 1920x1080 and 29. On low-end devices, choosing a low-resolution and low-quality file type. The proxies are ok, and rendered. gpu acceleration turned on for video rendering and playthrough. Adobe Support Community. Many users run with ProRes proxy as it does well enough visually and plays back great. The company allows for 10-bit and 8-bit proxy options, even as high as 1080p resolution. On the other hand if i import the _proxy. You could also create your own custom proxy presets. -using ProRes Low Resolution Proxys, without them its even worse-playback resolution down to 1/8-both source and proxy files are stored on the internal ssd-pre-rendered the timeline (green status bar) --> still lagging like hell-Premiere is up to date 15. Step 2: Tap Settings → Resolution. But I'll explain why the proxy resolutions matter to me. And it's a range because of its variable bit rate, so that's the. Created an encoding preset, with a fixed resolution of 1024, 576. Hello! Thank you for great new feature - proxies! The idea is very good. Navigate to Playback > Timeline Proxy Resolution and choose the desired setting. Multiple flavors of ProRes are available, including Proxy, 422 LT, 422, 422 HQ, 4444, and 4444 XQ. I have 100 1920x1080 videos in H. The target data rate is approximately 45 Mbps at 1920x1080 and 29. Click on Proxy -> Create Proxy. 264 is not really a good choice for proxies - you really want to be using an intraframe codec or you're not gonna get the full benifits. I'm just doing basic editing, cutting & such. - 11499177And, of course, match all the requirements for Premiere Pro's proxy workflow including having the Proxy frame aspect ratio be proportional to the full resolution frame aspect ratio. ProRes Proxy will, generally speaking, look worse than an H. You can also go with Low, Medium, High-Resolution Proxy. For Preset, select ProRes Low Resolution Proxy; Check the Add Watermark box; Leave the destination as Next To Original Media, in prox folder; Press OK; Premiere will open media encoder and begin rendering proxies for all of your video clips. I use LT for exports even for broadcast and feature documentary work. 264. It can shoot H. These are the fixes i have implemented that are meant to improve playthrough performance: proxies created for each file and turned on (I used quicktime ProRes low resolution proxy) playback resolution set to 1/4. Reply. This will create a seperate folder containing the proxy files next to your original media location. So. In. Apple ProRes 422 Proxy is an even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but full-resolution video. The codes was XAVC-L. Not all tools can output H. Select Ok Step2I'm trying to editing using Proxy files, but every Ingest Preset causes the proxy footage to be "squashed" with black bars and not match the original resolution. 264 Low Resolution Proxy then Preview I-Frame Only MPEG? If I choose the Prores Low Resolution Proxy, what preview should I choose? Extra question: is it a good idea to first transcode the mp4 to Prores 422 and then make a Prores Low Resolution Proxy from that (takes 6x more space) or to make a Prores Low Resolution Proxy. As you can see, blocky. -Resolve will create 1080P or 720P proxies. Best is not to choose H. the FCP PR Proxy? Check out MediaInfo to confirm there's nothing else different between the two. Having to keep - 8375094Create a new Encoding preset called Encode ProRes Proxy. thanks again. The sending process will be quicker. 264 is 8-bit, it's not magically going to become a 10-bit ProRes file. IF you are wanting to export from the proxies, then the AR is quite important. 97 frames per second. 264 to download, but if your drives are fast enough it'll be a much better. Re: Basic stuff: Proxy, optimized and 1080 timeline for 4k. Under presets, select low resolution cineform. 265. If you are after smaller file sizes for your editing workflow sometimes low resolution h. It’s important to note that each ProRes format supports all of the current frame sizes such as SD, HD. The target data rate is approximately 45 Mbps at 1920x1080 and 29. 4. I hope that helps! Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. 0 pixel aspect that is in the file. The target data rate of Apple ProRes 422 Proxy. They have both been around for years, so they’re very widely supported. H. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. Terence Curren of Burbank, CA based Alpha Dogs aptly pointed out a flaw in that I was comparing an 8-bit format to ProRes HQ and GoPro Cineform which are 10-bit formats. When Scrubbing with proxies enabled, the speed is GREAT. If you make the proxies in premiere (Right click your footage bin -> Proxies -> Make Proxies. Apple ProRes 422 and Apple ProRes 422 HQ were first supported in Final Cut 2 (2001); Apple ProRes 422 Proxy, Apple ProRes 422 LT and Apple ProRes 4444 were added with Final Cut Pro 7 (2009); Apple ProRes 4444 XQ was added to Final Cut Pro X. Start off with the smallest ProRes or DNx codec in the same resolution as your capture codec. More specifically, the card handles the decoding and playback of ProRes and ProRes RAW content, and allows for faster transcoding and sharing of ProRes and ProRes RAW projects and files. Apple ProRes 422 LT's target data rate is approximately 102 Mbps at 1920 x 1080 and 29. control click and choose proxy: create proxy: format:quicktime: and choose preset: prores low resolution proxy. Changing the playback resolution to a 1/2. I guess you will still insist on not understanding the importance of the proxy resolution. Select QuickTime -> Cineform Low Res. Head there and click Create Proxies. For 99% of material you won't be able to see any difference between ProRes LT and the other more bandwidth-intensive flavors. 4. ProRes proxy is extremely low quality. 264 export/transcode in Premiere/AME does not support 4 mono. As long as you create the Proxies through Premiere, it won’t mess with your Sequence settings. Creative Communities of the World Forums. In that case, you can create your own proxy file presets.